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FALL 1998 SPECIAL PROGRAMS AND SEMINAR SERIES SCHEDULE Contact: Kate McShea Ewen, (617) 495-2397 James Cuno, Elizabeth and John Moors Cabot Director, and Art Museums' curators, conservators, and curatorial interns, are pleased to present this calendar of special programs and public seminars. Aside from the participation of a number of Art Museums' staff members who will draw upon original works in the collections, contemporary photographers will participate in an artist panel. All programs require a fee and advance registration; see each program for details. LECTURE SERIES Thursday, September 17 Thursday, October 1 Thursday, October 15 Thursday, October 29
Thursday, November 5 Studio Visit
SEMINARS Light Conversation: Seminars with Contemporary Photographers British archaeologists they call the Royal Excavation Corps; and, evoking the legacy of surrealism, New York based artist Ann Mandelbaum's complex and subtle photographs depict fragments of the body as sites of both desire and repulsion.
Behind the Image: The Materials and Techniques of Art
from 1400 to the Present With Marjorie B. Cohn, Carl A. Weyerhaeuser Curator of Prints, Fogg; Colette C. Hemingway, Andrew Mellon Intern, Department of Paintings and Sculpture, Fogg; Deborah Martin Kao, associate curator of photographs, Fogg; Penley Knipe, Claire W. and Richard P. Morse Fellow for Advance Training in Paper Conservation, Straus Center for Conservation; Piek Larson, lecturer in visual and environmental studies, Carpenter Center for Visual Arts; Edward Saywell, John S. Newberry Research Assistant, Department of Drawings, Fogg; Susan Schwalb, artist; Ron Spronk, research associate for technical studies, Straus Center for Conservation. Join curators, conservators, interns, a lecturer and an artist for this five-part seminar given in conjunction with exhibitions Behind the Line: The Materials and Techniques of Old Master Drawings, Touchstone: 200 Years of Artists' Lithographs and Gian Lorenzo Bernini: Sketches in Clay to explore a wide variety of artists' materials and techniques. Discussions will be drawn entirely from original works in the Fogg's collections and will include sessions on the materials and techniques of old master and contemporary drawings, the history of lithography, and a general introduction to the techniques of photography. A discussion of the Bernini terracotta sculptures and a session in the Straus Center for Conservation will focus on those technical methods for examining works of art that allow us literally to see behind and under the surface of works of art. Participants will also enjoy two workshops during the series, the first will be on printmaking at the printmaking studio of the Carpenter Center with lecturer Piek Larson and the second will be on metalpoint drawings in the Straus Center 's Paper Laboratory with artist Susan Schwalb. ** The Harvard University Art Museums' facilities are wheelchair accessible.
For general information, please call (617) 495-9400. For press information
or photographs, please contact Kate McShea Ewen at (617) 495-2397. For
more information on events, please contact the Friends, Fellows, and Special
Programs Office at (617) 495-4544. World Wide Web: www.artmuseums.harvard.edu. The Harvard University Art Museums comprise three museums (Busch-Reisinger Museum, Fogg Art Museum, Arthur M. Sackler Museum), all located on the Harvard University campus in Cambridge, MA, at the intersection of Quincy Street and Broadway, adjacent to Harvard Yard. The Art Museums are open Monday through Saturday, 10:00 a.m.-5:00 p.m., and Sunday 1:00 p.m.-5:00 p.m. Closed holidays. Admission is $5.00; $4.00 for senior citizens; $3.00 for students; free under 18 and to all on Saturday mornings and all day on Wednesdays. For special tour reservations, please call (617) 496-8576. General tours are offered Monday through Friday from September through June; Wednesdays only in July and August. The Fogg tour is at 11:00 a.m.; the Busch-Reisinger tour is at 1:00 p.m.; and the Sackler is at 2:00 p.m. The Harvard University Art Museums is supported in part by the Massachusetts Cultural Council. ### |
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