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Released: October 29, 1998
Contact: Kate McShea Ewen
(617) 495-2397
The Harvard University Art Museums has invited leading scholars to reflect
on the materiality of printed objects in the symposium Printing Matters:
The Materiality of Print in Early Modern Europe. The lectures will
cover such issues as transitions between hand production and mechanical
production, the ways in which typographic and layout conventions are invested
with meaning, and the synthesis of visual and textual content. This material
emphasis brings together text-based and image-based studies, challenging
current disciplinary boundaries. The symposium will take place in the
Christian Room of the Fogg Art Museum on Saturday, November 14 and Sunday,
November 15 and is free and open to the public. Complimentary parking
is available between 8:00 a.m. and 5:30 p.m. on Saturday and between 8:00
a.m. and 2:00 p.m. Sunday, at the Broadway Garage. The Garage entrance
is on Felton Street, which runs from Cambridge Street to Broadway.
Printing Matters is organized by Graham Larkin and Lisa Pon, doctoral
candidates in the Department of History of Art and Architecture. The symposium
is held in conjunction with two exhibitions taking place at Harvard: Lines
of Inquiry: Ancien Régime Book Illustration from the Department
of Printing and Graphic Arts, curated by Larkin (on view at the Houghton
Library, Harvard University, through December 11, 1998) and Prints
and Privileges: Regulating the Image in Sixteenth-Century Italy, curated
by Pon (on view at the Fogg Art Museum from through December 27, 1998).
Schedule
Saturday November 14, 1998
9:00 a.m. Director's welcome, introduction, James Cuno, Elizabeth
and John Moors Cabot Director, Harvard University Art Museums
9:30 a.m.The Wages of War: Battles, Prints and Entrepreneurs in
Late Seventeenth-Century Venice, Brendan Dooley, associate
professor of history and of social studies, Harvard University
10:00 a.m. On the Threshold of Print and Performance: How
Prints Matter to Bodies of/at Work, Abby Zanger, associate professor
of Romance languages and literatures, Harvard University
10:30 a.m. coffee
11:00 a.m. Curating the Renaissance Body, Evelyn Lincoln,
assistant professor of history of art and architecture, Brown University
11:30 a.m. Response, Stephen Greenblatt, Harry Levin
Professor of Literature, Harvard University
Break: Lines of Inquiry will be open for viewing in the Houghton
Library until 1:00 p.m. Prints and Privileges will be open for
viewing in the Fogg until 4:45 p.m.
2:00 p.m. Introduction
2:15 p.m.Benedetto Bordon and LucAntonio Giunta: Illustration of
Early Sixteenth-Century Liturgical Books in Venice, Lilian
Armstrong, Mildred Lane Kemper Professor of Art, Wellesley College
2:45 p.m.The Materiality of the Earliest Archeological Publications,
Christopher Wood, associate professor of history of art,
Yale University
3:15 p.m.Benito Arias Montano, the Index Expurgatorius, and the
Notion of Locus in Sixteenth-Century Books, Paul Saenger,
George A. Poole III Curator of Rare Books, The Newberry Library
3:45 p.m. Response, Henri Zerner, professor of history
of art and architecture, Harvard University
Sunday November 15, 1998
9:00 a.m. coffee
9:15 a.m. Introduction
9:30 a.m. Making Poets: The Printing of Herbert's Temple,
Ramie Targoff, assistant professor of English, Yale University
10:00 a.m.Vivae dixisses virginis ora: The Discourse of Color in
Hendrick Goltzius's Pygmalion and the Ivory Statue,Walter Melion,
professor of history of art, The Johns Hopkins University
10:30 a.m. De la Satyre au Théâtre: Graphic
Tensions in the Early Modern French Atlas,Tom Conley, professor
of Romance languages and literatures, Harvard University
11:00 a.m. Response and closing remarks Joseph Koerner,
professor of history of art and architecture, Harvard University
For more information on the symposium, including related events and exhibitions
in the Boston area, lecture abstracts and related publications, see the
symposium web site at: www.artmuseums.harvard.edu/events/printmatters.html
**
The Harvard University Art Museums' facilities are wheelchair accessible.
For general information, please call (617) 495-9400. For press information
or photographs, please contact Kate McShea Ewen at (617) 495-2397. For
more information on events, please call (617) 495-4544. World Wide Web:
www.artmuseums.harvard.edu.
**
The Harvard University Art Museums comprise three museums (Busch-Reisinger
Museum, Fogg Art Museum, Arthur M. Sackler Museum), all located on the
Harvard University campus in Cambridge, MA, at the intersection of Quincy
Street and Broadway, adjacent to Harvard Yard. The Art Museums are open
Monday through Saturday, 10:00 a.m.-5:00 p.m., and Sunday 1:00 p.m.-5:00
p.m. Closed holidays. Admission is $5.00; $4.00 for senior citizens; $3.00
for students; free under 18 and to all on Saturday mornings and all day
on Wednesdays. For special tour reservations, please call (617) 496-8576.
General tours are offered Monday through Friday from September through
June; Wednesdays only in July and August. The Fogg tour is at 11:00 a.m.;
the Busch-Reisinger tour is at 1:00 p.m.; and the Sackler is at 2:00 p.m.
The Harvard University Art Museums is supported in part by the Massachusetts
Cultural Council.
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