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Adolph Menzel: Works in Harvard Collections |
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Alexander's Coins and Alexander's Image |
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American Artists
in Their New York Studios: Conversations about the Creation of Contemporary
Art |
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Andor Weininger:
Works in the Busch-Reisinger Museum |
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Anselm Kiefer. The Heavenly Palaces: Merkabah |
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Ben Shahn's New York: The
Photography of Modern Times |
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Birthday Presents: Acquisitions for the 100th Anniversary of the Busch-Reisinger Museum |
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British and Irish Silver from the Fogg Art Museum, Harvard University Art Museums |
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Bruegel to Rembrandt: Dutch and Flemish Drawings from the Maida and George Abrams Collection |
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Busch-Reisinger Museum, Harvard University Art Museums |
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The Busch-Reisinger Museum:
History and Holdings |
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Byzantine Women and Their World |
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Canopy | David Ward: A Work
for Voice and Light in Harvard Yard |
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Christopher Wilmarth: Drawing into Sculpture |
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The City of Sardis: Approaches in Graphic Recording |
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Coming About: A Festschrift for John Shearman |
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David to
Corot: French Drawings in the Fogg Art Museum |
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Dear Print Fan: A Festschrift for Marjorie B. Cohn |
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Death by Hogarth |
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Degas at Harvard |
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Degas to
Matisse: The Maurice Wertheim Collection |
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Dürer's Passions |
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Ellsworth Kelly: The
Early Drawings, 1948 - 1955 |
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Essays in Context: Unfolding the Netherlandish Diptych |
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Extraordinary
Persons: Works by Eccentric, Nonconformist Japanese Artists of the
Early Modern Era (1580–1868) in the Collection of Kimiko and
John Powers |
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Formaldehyde:
How Great Is the Danger to Museum Collections? |
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40 Years
On... Donations by John Goelet: Sculpture, Painting and Drawings,
Miniatures and Calligraphy, Tankas and Mandala |
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Francis
Calley Gray and Art Collecting for America |
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Frank Stella 1958 |
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The
Fredric Wertham Collection |
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From Court to Caravan: Chinese Tomb Sculptures from the Collection of Anthony M. Solomon |
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From Mind, Heart, and Hand: Persian, Turkish, and Indian Drawings from the Stuart Cary Welch Collection |
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From Modern Art to "Degenerate Art": German Culture, Politics, and the Avant-Garde, 1910 -1948. A Guide to Teaching with Art from the Permanent Collection of the Busch-Reisinger Museum |
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Fuseli to Menzel: Drawings
and Watercolors in the Age of Goethe |
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Gary Schneider: Portraits |
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Geometric Abstraction:
Latin American Art from the Patricia Phelps de Cisneros Collection |
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German Marks: Postwar
Drawings and Prints Donated to the Busch-Reisinger Museum through
the German Art Dealers Association |
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Hare's Fur, Tortoiseshell,
and Partridge Feathers: Chinese Brown- and Black-Glazed Ceramics,
400 - 1400 |
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Harvard's Winthrop Collection: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection |
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Jean Fautrier, 1898-1964 |
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Joseph
Beuys: The Multiples |
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The Last Ruskinians: Charles Eliot Norton, Charles Herbert Moore, and Their Circle |
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Life As Art: The Paintings of Gregory Gillespie and Frances Cohen Gillespie |
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Line Form Color |
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Lois Orswell, David Smith, and Modern Art |
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Mastery & Elegance: Two
Centuries of French Drawings from the Collection of Jeffrey E. Horvitz |
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Medardo Rosso: Second Impressions |
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Mel Bochner
Photographs |
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Modern
Painting, Drawing, and Sculpture Collected by Emily and Joseph Pulitzer,
Jr., Volume III |
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Modern
Painting, Drawing, and Sculpture Collected by Emily and Joseph Pulitzer,
Jr., Volume IV |
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Mondrian:
The Transatlantic Paintings |
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A Noble
Collection: The Spencer Albums of Old Master Prints |
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An Offbeat Collection
of Dutch and Flemish Paintings |
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Pasteprints:
A Technical and Art Historical Investigation |
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Philip Guston: A New Alphabet
the Late Transition |
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A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University |
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Rajasthani
Miniatures: The Welch Collection from the Arthur M. Sackler Museum,
Harvard University |
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Recent Developments in the Technical Examination of Early Netherlandish Painting: Methodology, Limitations, and Perspectives |
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The Renaissance
in France: Drawings from the Ecole des Beaux-Arts, Paris |
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Richard Neutra’s Windshield
House |
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The Last Ruskinians: Charles Eliot Norton, Charles Herbert Moore, and Their Circle |
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Sargent
at Harvard. Harvard University Art Museums Bulletin, Vol. 7, no.14 |
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Shop Talk: Studies
in Honor of Seymour Slive |
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The Sketchbooks of George Grosz |
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Sketches
in Clay for Projects by Gian Lorenzo Bernini: Theoretical, Technical,
and Case Studies |
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The Stone Sculpture of India: A Study of the Materials Used by Indian Sculptors from ca. 2nd Century B.C. to the 16th Century |
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Stone Sculptures:
The Greek, Roman, and Etruscan Collections of the Harvard University
Art Museums |
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Studies in Islamic and Later Indian Art from the Arthur M. Sackler Museum |
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Symbol
and Substance in Japanese Lacquer: Laquer Boxes from the Collection
of Elaine Ehrenkranz |
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The
Technical Analysis of Renaissance Illuminated Manuscripts from the
Historical Library of the University of Valencia |
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Touchstone: 200 Years of
Artists' Lithographs |
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A Tradition Redefined: Modern and Contemporary Chinese Ink Paintings from the Chu-tsing Li Collection, 1950–2000 |
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Twelve Artists from
the German Democratic Republic |
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Vastly More Than Brick & Mortar: Reinventing the Fogg Art Museum in the 1920s |
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Verso: The Flip Side of Master
Drawings |
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Vincent van
Gogh's Self-Portrait Dedicated to Paul Gauguin: An Historical and
Technical Study |
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Wolfgang Tillmans: Still Life |
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Wols Photographs |
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You Look Beautiful
Like That; The Portrait Photographs of Seydou Keïta and Malick
Sidibé |
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