Lois Orswell, David Smith, and Modern Art

Marjorie B. Cohn
With the Lois Orswell/David Smith Correspondence
edited by Sarah B. Kianovsky

2002. 388 pp., 203 illus., 90 colorplates, 8 1/2 x 11

Paper ISBN 1-891771-23-x $40.00
Cloth ISBN 0-300-09694-1 $60.00 (trade distribution by Yale University Press)

Lois Orswell (1904-1998) was a pioneering collector of abstract expressionist art and modern sculpture. She was notable not only for the quality of her acquisitions but also for her exceptional position as a woman collector at a time when men dominated the art world. Orswell focused her attention on sculpture and drawings, rather than paintings, and her collection features the work of such canonical artists as Kline, de Kooning, Rodin, Calder, Moore, Nevelson, and many others. Of all these artists, none was more important than David Smith-arguably the greatest American sculptor of the twentieth century-and the book highlights the close connection between collector and artist.

This handsome volume publishes for the first time the correspondence between Orswell and Smith, which sheds important new light on the sculptor's personality and professional practice. The book also tells the history of the Orswell Collection, which numbers over 340 objects and is housed at the Harvard University Art Museums.

Marjorie B. Cohn is the Carl A. Weyerhaeuser Curator of Prints at the Fogg Art Museum and senior lecturer, History of Art and Architecture, Harvard University. Sarah B. Kianovsky is assistant curator of Paintings, Sculpture, and Decorative Arts at the Fogg Art Museum.

This book is published to coincide with an exhibition at the Fogg Art Museum, from September 21, 2002 to February 16, 2003.

See press release
See exhibition information

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